inseine: (Default)
CONTENT WARNING: The app below deals with themes of poor mental health, poor self-worth, self-destruction, and suicide by drowning. Javert has a heap of problems on his head. Proceed with caution.

🩋 OOC Information


Name: Larissa
Contact: [plurk.com profile] chickenfriend; discord at chiknfriend, PM
Age: 38
Other Characters: N/A
Invitation: Link here.
Permissions: Link here.

🩋 IC Information


Character Name: (Inspector) Javert
Age: 52
Canon: Les Misérables, the novel
Canon Point: After his death
Character History: Official Wikipedia Entry
Canon Abilities: He’s a normal human with particularly shrewd policing and investigation skills.
Inventory: His overcoat, his clothes (waistcoat, trousers, shirtsleeves, cravat, stockings, boots, handkerchief), a policeman’s cudgel, a policeman’s saber, Paris police identification card/badge with his name, age, and rank. His hat is conspicuously missing.

🩋 Personality


Option 2: You may instead choose words from the following list to expand upon as your personality section. Elaborate on what this word means to your character, specifically their thoughts about it. For Canon Characters, you can choose five words. For Original Characters, you will need to choose seven words. Keep the word count to 100-300 per choice.
  • Dead: What Javert believes he should be. Javert is a victim of suicide, and to be dead was meant to be his ultimate sacrifice, his final resignation in the face of his work and God’s unfaltering eye. At the end of his life, his entire worldview was upended by a simple act of mercy shown to him by his lifelong enemy. He stood at a crossroads, and he recognized two concrete paths ahead. The first, to arrest a venerable criminal at large, was unconscionable to him, because he could not bring himself to arrest a man who saved his life. The second, to continue with his police work, was irreconcilable with his principles, for in order to do his duty as prescribed by the law, he would be forced to make the arrest. Denying the law this arrest would make him unworthy of his badge. Additionally, he understood that if one man was capable of performing criminal acts for just, kind reasons, fully capable of changing from a violent brute into a gentle saint, than there existed the possibility that he made unfair arrests against people with moral reasons for their actions. He could not bear living and continuing with the knowledge that not all criminals were bad men, and that his hands were stained with the blood of good men in doing his duty. This, for his failings, he chose to remove himself from the world and embrace the stillness of death.

  • Dance: Javert is a dramatic son of a bitch. Unlike many of his bureaucratic colleagues, he has a rather dark, wry, and outright sassy sense of humor that extended its claws in the most dire of situations. He was flamboyant in how he executed his arrests, exhibiting a certain artistry that he strove to perfect. He gleefully bantered with his quarry and the worst of his enemies, his tongue just as sharp as his unyielding nature. Most of his work was done with a spectacular flair for the dramatic. He behaved as if he was orchestrating his own personal circus of criminal captures -- or an intricate dance full of fast footwork, sashaying one way, pirouetting another until he held his prize in a deep tango dip. He was a masterful performer, arranging his unwitting players with his shrewd foresight and well-studied understanding of his foes. He positively delighted in his work, and his unique passion showed in his dedication and verve. But keep in mind that despite his eccentricities, Javert was a relentless perfectionist, always thorough, always fastidious, never delivering a criminal (or finishing his dance) until he was absolutely certain he could pull off a grand dĂ©nouement and a solid case.

  • Pride: Javert is a proud man. All his life, he carried himself with his head held high, a disdainful grimace of authority plastered on his face. He knew the law by the letter, and he knew he held himself to the highest, most exacting standards; he was irreproachable, inarguable, and pure in his commitment to his duties. He was completely assured and ashamed of nothing
 until his simple, black-and-white worldview came undone at the seams. Now it is his pride and solid grounding he mourns, flailing through a new course of business fraught with doubt and insecurity. Without purpose, he will continue to struggle in finding his way. Luckily, the Fae Folk have a predetermined purpose all laid out for him, and he should fall into dedicated step soon enough.

  • Sin: Before the night of his death, Javert believed himself sinless. He was honest and dedicated. He never slept a day on the job. He worked for every single sous he earned in his name. But when his understanding of the world shattered, he saw himself in a new, disturbing light. Once his eyes opened to the possibility that criminals, convicts, former miscreants could also become good, selfless, and kind, he recognized that all the arrests and the treatment he bestowed upon his quarry throughout his life might have been treated poorly — unjustly so. To his horror, he understood that many of these criminals may have had good reasons, moral reasons, or pressures beyond their control to commit their unlawful acts. How could a police officer continue, then, knowing he has stolen freedom and life from people who might have turned around? He couldn’t bear the thought of his sins. He couldn’t bear the thought of dithering over every case pushed across his desk. This realization stamped him as a tainted, rotten soul to his core; he was not the faultless, sinless man he worked so hard to be.

  • Fall: Javert flinched and fell, both literally and figuratively. He fell figuratively, in the sense that he caught himself at fault and in the moral 'wrong' despite following what he knew to be righteous and true all his life. In catching himself irredeemably wrong, he fell from grace as the stern and severe Inspector Javert, and became a scoundrel like any other. The only way to recompense for his ills was to resign, both from his duties and from life. So he fell, literally, downriver, expecting the void to swallow him whole -- only to fall into a new existence in the Fae Kingdom.



🩋 Fae Court


List your top three choices for your characters adoptive court. The mods will choose the one out of those three options that seems the most fitting based on your app.

I picked three courts, but if the mods decide another suits Javert better, I have no strong preference. I'm here for a government-assigned Court and prefer no opt-outs.

  • Winter

  • Dusk

  • Day

Ability: Do you want your character to gain the ability of their court? (Delete the other two options.)
3) Yes, but they either have no ability of their own, or they refuse to trade theirs away; they will buy their court's ability on credit.

🩋 RP Samples


TDM Top Level
inseine: (inkonic larissa javert (3))
CW: The following app contains references to suicide by drowning and the associated mental state it requires to carry out such an act. Please proceed with caution.


OOC INFORMATION
Name: Larissa
Contact: Plurk at [plurk.com profile] chickenfriend, Discord at chiknfriend, journal PM. Most reachable at discord or plurk!
Permissions: Here
Age: 37
Other characters?: N/A
Who Invited you?: Mod Invite Here

CHARACTER INFORMATION
Character Name: Inspector Javert
Assigned Nickname The Hound
Age: 52
Canon: Les Misérables (Novel)
Canon point: After his death
Character Information: His extensive wikipedia entry
CRAU: N/A
CRAU Changes/powers: N/A

Personality: Javert is a walking paradox. There exists in him several facets: the man on the surface, described by Victor Hugo in prose; the man shown to us, described by his actions and speech; and finally, the man he becomes the night he takes his own life.

Prior to his suicide, Javert was devoted to the Law. His only joy was to uphold and enforce law and order. He hated crime – each criminal was just as bad as any other criminal in his eyes, and the severity of the crime committed or its extenuating circumstances mattered little. He had extreme respect for authority and a blind faith in his superiors. He was hardworking and brutally honest to the point of rudeness. He possessed an eagle eye and always took care to tie his cases in a neat little bow; he left not a single question unanswered, not a single detail unexplained. He was just as harsh to himself as he was to everyone else; his integrity and perseverance pulled him out of the streets, and he knew that one slip in his behavior, one blight in his record would throw him off his pedestal. That made him a fair man, at least, if not a kind one.

Javert didn't have close friends, and he had no family. He did not indulge in vices and outright denied himself human intimacy. He read in his rare free time strictly to educate himself. Every now and then, when he felt particularly proud of himself, he would take a pinch of snuff, thereby proving his humanity.

This was the man described to us. The man shown to us hinted at something more
 feisty.

For enjoying the work of a lowly police inspector did not mean he was simply another mindless robot to the government. In fact, he had a rather dark and wry sense of humor that extended its claws in the most dire of situations. He was flamboyant in how he executed his arrests, exhibiting artistry that he strove to perfect. He gleefully bantered with his quarry and the worst of his enemies, his tongue just as sharp as his unyielding nature. He behaved as if he was orchestrating his own personal theatre of criminal captures.

Yet one night, a convict named Jean Valjean -- a man whom he doggedly hunted across decades -- spared Javert's life from certain death, and something inside of him snapped.

All his life, Javert was unyielding and above reproach. He did not doubt. But his black and white, very simple world crumbled in an instant, and he no longer understood the universe in which he lived. A part of him realized that Valjean, a criminal, a man who he always believed deserved a prison cell, was a man worthy of veneration and respect for his mercy and the genuine good he had given the world. He was a criminal who was also a saint; a thief who was also a good man. A new shade of gray colored every single interaction he ever had with a criminal, and opened up to him the possibility that criminals may have —dare he say—just and kind motivations.

This horrified Javert, who could not integrate this new information with his world view. He could not arrest Valjean and deliver him to the law, his conscience would not allow it. He could not return to work without arresting Valjean, that made him unworthy of his badge. So what order should he bow to? The supreme being, God's authority, whom he never before considered very deeply?

Javert's two paths were irreconcilable. He rejected his options and selected a third out: resignation from work, resignation from the world, resignation to God. He killed himself.

Thus will begin Javert's journey as a prisoner in Lab of Nature with a single narrowed eye open to the gray 'middle ground' between good and bad, right and wrong. He no longer knows where he fits in this world. Once his exhaustion wanes, his first big struggle will be to work through his cognitive dissonance over his shattered world view, discover a new purpose, and channel his actions productively.

Moving past his initial shock and post-traumatic stress, Javert will become a deeply emotional and highly disturbed individual encased in iron-clad self control. On the outside, he will be cold, calm, disarmingly self-assured, and always ready with a sassy quip. Yet inside he is doubt incarnate, constantly second-guessing himself, constantly displeased, constantly confused. Whether he will be able to cope with moral uncertainty and intimate relationships depends on his time served as an experimental subject; there is potential for character improvement or fatalistic acceptance of his 'punishment' as he learns to live through and adapt to the horrors in store.

Roommates?: One roommate max to make him suffer.

Triggers/sensitive topics you'd like to avoid?: Nothing is beyond the realm of possibility. I'm a flexible person and can work with almost anything, provided the context is ripe.

RP SAMPLES: TDM Thread with Éponine
inseine: (Default)
Content Warning: Javert is a heavy character from a heavy canon. This app will include references and depictions of suicide by drowning, as well as the character's mindset leading up to his choice to destroy himself. Please proceed with caution.

❄ Character Information
Character Name: Javert
Character Age: 52
Character Species: Human
Current Health: Dead, left his old body when he followed the Fox downriver. He will appear in full health, apart from the bruising and old battle-scars sustained from his decades in police work.
Outfit: Period appropriate to an 1830s Paris working class man. He wears an iron gray frock coat buttoned from chin down to his shins and a well-worn top hat. Beneath his coat he has a cravat, a leather stock to stiffen his collar, white shirtsleeves, an earthen-toned waistcoat and matching trousers. On his feet are a pair of riding boots, smudged, though ordinarily he keeps them well-shined in spite of their years of wear.

Character Canon: Les Misérables (Novel)
Link to History: Link to Wikipedia Entry
Canon Point: End of canon, at the point of his death
Canon Iteration: Original canon
Canon Iteration Explanation: N/A

❄ Folkmore Roles & Attributes

Skills:

  • Investigative work
  • Hunting (people, criminals, etc.)
  • Deductive reasoning
  • Decent defensive and hand-to-hand fighting abilities to survive the streets
  • Pistol competency
  • Meticulous organizational and planning skills
  • Excellent at listening and observing, detecting and annotating even the smallest details
  • Tarot reading (knowledge learned from his Romani Mother who was a fortune teller and card reader by trade, though this is a secret he resents and keeps close to the breast)

Canon Abilities: Nothing beyond the capabilities of a shrewd human. He has excellent deductive capabilities, an extremely good memory, and a sharp eye for details.
Role: Familiar
Role Qualities/Attributes: When he first enters Folkmore, he will have trouble maintaining a stable shape. Fraught with emotion and doubt, he will manifest bestial 'parts' upon his person, and may give another the mistaken impression that he could be a Myth: he'll have long claws, the ears of a lynx cat, whiskers vaguely patterned after a wolf or a tiger's, eyes like an eagle. These changes will be subtle until he springs into action and shifts into an animal that suits his goals (or emotional state). When he gets some control over himself, he will keep his eagle eyes and lupine canines and whiskers, but only shift when he consciously chooses.
Role Reasoning: Javert has too much blood on his hands to be a Legend, and he's got too much of a conscience, too much desire to learn how to become 'right' and 'better' to fall into Myth-hood. He has spent his life in public service, and he thrives best when he is given a role that will allow him to select a 'superior' to serve. As a Familiar, I will have him seek out someone who reminds him (preferably a Legend, though he is vulnerable to manipulation in his confused post-canon state) of Jean Valjean's saintliness to attempt to serve, and to use his newfound abilities to protect the people of Folkmore.

❄ Personality

Option 1. (797 words)

Javert is a walking paradox. There exists in him several facets: the man on the surface, described by Victor Hugo in prose; the man shown to us, described by his actions and speech; and finally, the man he becomes the night he takes his own life.

Prior to his suicide, Javert was devoted to the Law. His only joy was to uphold and enforce law and order. He hated crime – each criminal was just as bad as any other criminal in his eyes, and the severity of the crime committed or its extenuating circumstances mattered little. He had extreme respect for authority and a blind faith in his superiors. He was hardworking and brutally honest to the point of rudeness. He possessed an eagle eye and always took care to tie his cases in a neat little bow; he left not a single question unanswered, not a single detail unexplained. He was just as harsh to himself as he was to everyone else; his integrity and perseverance pulled him out of the streets, and he knew that one slip in his behavior, one blight in his record would throw him off his pedestal. That made him a fair man, at least, if not a kind one.

Javert didn't have close friends, and he had no family. He did not indulge in vices and outright denied himself human intimacy. He read in his rare free time strictly to educate himself. Every now and then, when he felt particularly proud of himself, he would take a pinch of snuff, thereby proving his humanity.

This was the man described to us. The man shown to us hinted at something more
 feisty.

For enjoying the work of a lowly police inspector did not mean he was simply another mindless robot to the government. In fact, he had a rather dark and wry sense of humor that extended its claws in the most dire of situations. He was flamboyant in how he executed his arrests, exhibiting artistry that he strove to perfect. He gleefully bantered with his quarry and the worst of his enemies, his tongue just as sharp as his unyielding nature. He behaved as if he was orchestrating his own personal theatre of criminal captures.

Yet one night, a convict named Jean Valjean -- a man whom he doggedly hunted across decades -- spared Javert's life from certain death, and something inside of him snapped.

All his life, Javert was unyielding and above reproach. He did not doubt. But his black and white, very simple world crumbled in an instant, and he no longer understood the universe in which he lived. A part of him realized that Valjean, a criminal, a man who he always believed deserved a prison cell, was a man worthy of veneration and respect for his mercy and the genuine good he had given the world. He was a criminal who was also a saint; a thief who was also a good man. A new shade of gray colored every single interaction he ever had with a criminal, and opened up to him the possibility that criminals may have —dare he say—just and kind motivations.

This horrified Javert, who could not integrate this new information with his world view. He could not arrest Valjean and deliver him to the law, his conscience would not allow it. He could not return to work without arresting Valjean, that made him unworthy of his badge. So what order should he bow to? The supreme being, God's authority, whom he never before considered very deeply?

Javert's two paths were irreconcilable. He rejected his options and selected a third out: resignation from work, resignation from the world, resignation to God. He killed himself.

Or, rather, he escaped from that world, followed the Fox beneath the river, and transformed into a Familiar in Folkmore.

Thus will begin Javert's journey in Folkmore with a single narrowed eye open to the gray 'middle ground' between good and bad, right and wrong. He no longer knows where he fits in this world. His first big struggle will be to work through his cognitive dissonance over his shattered world view, discover a new purpose, and channel his actions productively.

Moving past his initial shock and post-traumatic stress, Javert will become a deeply emotional and highly disturbed individual encased in iron-clad self control. On the outside, he will be cold, calm, disarmingly self-assured, and always ready with a sassy quip. Yet inside he is doubt incarnate, constantly second-guessing himself, constantly displeased, constantly confused. He must learn to accept uncertainty, kindness, and love for the sake of it, to form intimate relationships (and at least one Familiar bond) with other people, and exercise his own matured moral judgment before condemning another's actions to reach his full potential.


❄ Player Information
Player Name: Larissa
Pronouns: She/Her
Are you over 18?: Yes
Contact(s): PM, [plurk.com profile] chickenfriend, or discord @ chiknfriend
Who Invited You?: Corie, Link to invitation here
Current Characters: N/A
Permissions: Here
Writing Samples: TDM thread with Luz, Ariadne, Henry, Kate, Rue. Long threads here. If you need more, I also have plenty of samples from Ryslig, and another here. However, these samples depict a Javert that has been corrupted by monstrous influences. It can illustrate range, but not the direction that I intend to write him in Folkmore.

inseine: (Default)
PLAYER INFORMATION

NAME: Larissa
AGE: 32
CONTACT: Plurk [plurk.com profile] kriskristofferson
CHARACTERS PLAYED: N/A
RESERVED? No

CHARACTER INFORMATION

NAME: Javert
CANON: Victor Hugo’s novel-verse of Les MisĂ©rables
CANON POINT: Post-suicide. Or mid-suicide; perhaps he’s failed and was spirited away by the Fae before the act was complete. He won’t know the difference, and the memories of burning lungs and sewage-tinged, muddy rapids will forever haunt his nightmares.
AGE: 52

HISTORY: Javert's Shiny Wiki Link but I’m happy to provide supplemental, detailed history (including some headcanon) if necessary.

PAST GAME MEMORIES: N/A

PERSONALITY: Javert is a walking paradox, his complete character far more complex than the sum of his parts. There exists in him several facets: the man on the surface, described by Victor Hugo in prose; the man shown to us, described by his actions and speech; and finally, the man he becomes the night he takes his own life.

Prior to his suicide, Javert was utterly devoted to the Law. His only joy was to uphold and enforce law and order. He hated crime with a passion – each criminal was just as bad as any other criminal in his eyes, and the severity of the crime committed or its extenuating circumstances mattered little. Javert was the type of man that would turn in his own child if he slit a throat or jail his own wife for theft without a moment's hesitation. He had extreme respect for authority and a blind faith in his superiors. He was hardworking and brutally honest to the point of abruptness. He was just as harsh to himself as he was on everyone else; his admirable integrity and perseverance pulled him out of the streets, and he knew that one slip in his behavior, one blight in his record would throw him off his pedestal. That made him a fair man, at least, if not a kind one.

Javert's life was his work. He was not known to have much in the way of friends, and he had no family. He peered in on society from the outside with the full cognizance that he would never become a part of it. Yet rather than choose to destroy it out of some misguided revenge, he was strong enough to protect it as a police officer. He did not indulge in any vices and outright denied himself human intimacy. He read in his rare free time, but strictly to educate himself. Every now and then, when he felt particularly proud of himself, he would take a pinch of snuff, thereby proving his humanity.

This was the man described to us. The man shown to us hinted at something more
 feisty.

For enjoying the oft-begrudged work of a lowly police inspector did not mean he was simply another mindless robot to the government. In fact, unlike many of his bureaucratic colleagues, he had a rather dark, wry, and outright sassy sense of humor that extended its claws in the most dire of situations. He was flamboyant in how he executed his arrests, exhibiting a certain artistry that he strove to perfect. Most of his work was done with a spectacular flair for the dramatic. He behaved as if he was orchestrating his own personal circus of criminal captures. He positively delighted in his work, and his unique passion showed in his dedication and verve. But keep in mind that despite his eccentricities, Javert was a relentless perfectionist, always thorough, always fastidious, never delivering a criminal until he was absolutely certain he could pull off a grand dénouement and a solid case.

In terms of interpersonal relationships, Javert is a difficult shell to crack. It takes a hell of a lot to get close enough, but once he swears fealty, he will abide by his promise for life with strict honor.

Yet on the night of his suicide, a convict named Jean Valjean spared Javert's life, and something inside of him changed irrevocably.

All his life, Javert was unyielding and above reproach. He did not doubt. He was proud, he held his head high, completely assured and ashamed of nothing. But his black and white, very simple world fell out from beneath him in one fell swoop, and he no longer understood the universe in which he lived. His entire understanding of law, order, and the universe flipped inside out. A part of him realized that Valjean, a criminal, a man who he always believed deserved nothing better than perpetual hard labor, was a man worthy of veneration and respect for his mercy and the genuine good he had given the world. It was a criminal who was also a saint; a thief who was also a good man. It was a new shade of gray that colored every single interaction he ever had with a criminal, and opened up to him the possibility that criminals may have —dare he say—just and kind motivations. This horrified Javert, who could not integrate this new information with his world view. He could not arrest Valjean and deliver him to the law, his conscience would not allow it. He could not return to work without arresting Valjean, that made him unworthy of his badge. So what order should he have bowed to? The supreme being, God's authority, whom he never before considered very deeply?

Javert's two paths were impossible, irreconcilable. He rejected his options and selected a third out: resignation from work, resignation from the world, resignation to God. He killed himself.

Thus will begin Javert's experiences in Ainmhian, with a single narrowed eye begrudgingly open to the gray 'middle ground' between good and bad, right and wrong. He will still exhibit mostly the same (unpleasant) personality traits of the man he was in life, but now, he simply does not understand where he fits in this world. His first big struggle will be to work through his cognitive dissonance over his shattered world view, discover what it is he is meant to do and channel it productively. Presumably seeking out simple, menial work to occupy his body and mind in the meanwhile will be his first priority, after settling in and realizing the futility of longing for the grave. But until he is able to reconcile his new and frightening realizations with his life's calling in police work and investigations, he will remain uncertain and doubtful.

Moving past his initial shock and post-traumatic stress, then, Javert will begin his ‘afterlife’ as a deeply emotional and highly disturbed individual encased in iron-clad self control. On the outside, he is cold, calm, disarmingly self-assured, and always ready with a sassy quip. Yet inside he is a veritable mess, constantly second-guessing himself, constantly displeased, constantly confused... and fatalistically learning to accept his outcomes as a form of punishment for his oversights in the past.

POWERS/ABILITIES: Just a sharp wit, excellent deductive capabilities, and hawkish eye, mostly garnered from his years of experience as a police officer. Nothing superhuman, though his quarry would sometimes argue he bore the mystique and magic of the devil himself with some of his more theatrical arrests. There were always rumors that perhaps he did have a thread of sorcery in him, considering his half-gypsy blood.

SAMPLES: Entries in the Test Drive Meme

ANYTHING ELSE? Nothing comes to mind!
inseine: (whatchoo doing)
CONTENT WARNING: This character deals with themes of successful suicide and suicidal ideation. Please proceed with caution if you are sensitive. Thank you!


OOC INFORMATION
Name: Larissa
Contact: [plurk.com profile] chickenfriend discord @ chiknfriend
Age: I’m 36!
Other Characters: N/A

CHARACTER INFORMATION
Character Name: Javert
Age: Eternally 52 in looks (though he's hit several birthdays during his time in Ryslig previously and has existed for about 55/56 years)
Canon: Les Misérables (Novel)
Canon Point: Post-Suicide
Character Information: Javert’s Wiki Link

Personality: Javert is a walking paradox, his complete character far more complex than the sum of his parts. There exists in him several facets: the man on the surface, described by Victor Hugo in prose; the man shown to us, described by his actions and speech; and finally, the man he becomes the night he takes his own life.

Prior to his suicide, Javert was utterly devoted to the Law. His only joy was to uphold and enforce law and order. He hated crime with a passion – each criminal was just as bad as any other criminal in his eyes, and the severity of the crime committed or its extenuating circumstances mattered little. Javert was the type of man that would turn in his own child if he slit a throat or jail his own wife for theft without a moment's hesitation. He had extreme respect for authority and a blind faith in his superiors. He was hardworking and brutally honest to the point of abruptness. He possessed an eagle eye and always took care to tie his cases in a neat little bow; he left not a single question unanswered, not a single detail unexplained. He was just as harsh to himself as he was on everyone else; his admirable integrity and perseverance pulled him out of the streets, and he knew that one slip in his behavior, one blight in his record would throw him off his pedestal. That made him a fair man, at least, if not a kind one.

Javert's life was his work. He was not known to have much in the way of friends, and he had no family. He peered in on society from the outside with the full cognizance that he would never become a part of it. Yet rather than choose to destroy it out of some misguided revenge, he was strong enough to protect it as a police officer. He became an expert in France's criminal underbelly; he observed carefully from the shadows for any hint of transgression against well-to-do citizens. He did not indulge in any vices and outright denied himself human intimacy. He read in his rare free time strictly to educate himself. Every now and then, when he felt particularly proud of himself, he would take a pinch of snuff, thereby proving his humanity.

This was the man described to us. The man shown to us hinted at something more
 feisty.

For enjoying the oft-begrudged work of a lowly police inspector did not mean he was simply another mindless robot to the government. In fact, unlike many of his bureaucratic colleagues, he had a rather dark, wry, and outright sassy sense of humor that extended its claws in the most dire of situations. He was flamboyant in how he executed his arrests, exhibiting a certain artistry that he strove to perfect. He gleefully banters with his quarry and the worst of his enemies, his tongue just as sharp as his unyielding nature. Most of his work was done with a spectacular flair for the dramatic. He behaved as if he was orchestrating his own personal circus of criminal captures. He positively delighted in his work, and his unique passion showed in his dedication and verve. But keep in mind that despite his eccentricities, Javert was a relentless perfectionist, always thorough, always fastidious, never delivering a criminal until he was absolutely certain he could pull off a grand dénouement and a solid case.

In terms of interpersonal relationships, Javert is a difficult shell to crack. It takes a hell of a lot to get close enough, but once he swears fealty, he abides by his promise with strict honor. This implies that it is, indeed, possible to squirm into a place in his heart, despite appearances, and hints at a certain amount of passion and sensitivity regarding loyalty and honor of his closest allies.

Yet on the night of his suicide, a convict named Jean Valjean -- a man whom he doggedly hunted across decades -- spared Javert's life, and something inside of him changed irrevocably.

All his life, Javert was unyielding and above reproach. He did not doubt. He was proud, he held his head high, completely assured and ashamed of nothing. But his black and white, very simple world fell out from beneath him in one fell swoop, and he no longer understood the universe in which he lived. His entire understanding of law, order, and the universe flipped inside out. A part of him realized that Valjean, a criminal, a man who he always believed deserved nothing better than perpetual hard labor, was a man worthy of veneration and respect for his mercy and the genuine good he had given the world. It was a criminal who was also a saint; a thief who was also a good man. It was a new shade of gray that colored every single interaction he ever had with a criminal, and opened up to him the possibility that criminals may have —dare he say—just and kind motivations. This horrified Javert, who could not integrate this new information with his world view. He could not arrest Valjean and deliver him to the law, his conscience would not allow it. He could not return to work without arresting Valjean, that made him unworthy of his badge. So what order should he have bowed to? The supreme being, God's authority, whom he never before considered very deeply?

Javert's two paths were impossible, irreconcilable. He rejected his options and selected a third out: resignation from work, resignation from the world, resignation to God. He killed himself.

Thus will begin Javert's experiences in Ryslig with a single narrowed eye begrudgingly open to the gray 'middle ground' between good and bad, right and wrong. He will still exhibit mostly the same (unpleasant) personality traits of the man he was in life, but now, he simply does not understand where he fits in this world, compounded by the frightening changes in himself that he will be doomed to endure. His first big struggle will be to work through his cognitive dissonance over his shattered world view, discover what it is he is meant to do and channel it productively. Presumably seeking out simple, menial work to occupy his body and mind in the meanwhile will be his first priority. After that, he will have to contend with his waning humanity as a horrific consequence of his life's failures.

Moving past his initial shock and post-traumatic stress, Javert will begin his ‘afterlife’/monster life as a deeply emotional and highly disturbed individual encased in iron-clad self control. On the outside, he is cold, calm, disarmingly self-assured, and always ready with a sassy quip. Yet inside he is a veritable mess, constantly second-guessing himself, constantly displeased, constantly confused... and fatalistically learning to accept his outcomes as a form of punishment for his oversights in the past.


After three and a half full years on Ryslig peninsula, Javert has come around to accept his station as a Monster against men. He slowly grew embittered against humanity through his own experiences fighting monster hunters and poachers, and lost faith that any one of the lost souls of Ryslig deserve anything less than misery, violence, and death. This is his punishment; this is all of their punishment. He pledged himself to the Fog and rose through the ranks to become one of Her most devout Priests, and in the process, suffered enough deaths to forget a sizable portion of his human life. He still retains the same personality traits through it all, and whenever he is reminded of the glimmers of humanity slumbering deep inside his heart, he must force himself to quash it with all the despair of someone who lost all hope in his future.

5-10 Key Character Traits:
- Self-destructive
+ Observant
- (Melo)dramatic
- Uncompromising
+/- Impassioned
- Severe
+ Sharp-witted
+ Dedicated
+ Principled
+/- Enigmatic

Would you prefer a monster that FITS your character’s personality, CONFLICTS with it, EITHER, or opt for 100% RANDOMIZATION? Either. I love surprises, but I’d love for it to be a great (but unexpected) fit or a completely off-the-wall conflict to cope with. Javert is a Vampire
Opt-Outs: Slime, Harpy, Pooka, Arachne, Troll, Naga Javert was sorted as Vampire and will return as a vampire.

Roleplay Sample:

Fourth Wall event with Robin
Fourth Wall with Rey
Fourth Wall with Hawkeye and Lup
inseine: (Default)
Player Information:
Name: Lari
Age: 25
Contact: [plurk.com profile] kriskristofferson
Game Cast: N/A

Character Information:
Name: (ex-Inspector) Javert
Canon: Les Misérables, book canon
Canon Point: Post-Suicide
Age: 52
Reference: Wiki link located here.

Setting: Javert was the son of a Romani mother and convict father, born in a prison of southern France in 1780. To speak of the turbulence in France during the extent of his fifty-two years would take several novels, but to put it bluntly, the cards were against him from the time of his birth. He would spend his lifetime working to prevent himself from slipping into society's dismal little cracks.

He was a still only a child when French Revolution struck in 1789 and Louis XVI was executed. The First French Republic arose from the ashes of the revolution and lasted until 1794, after the Reign of Terror led directly to the fall of Robespierre. Five years of absolute chaos followed until Napoleon Bonaparte took power in 1799.

Most of these turbulent politics were, quite frankly, not all that important to a young Javert, who likely spent most of his time proving himself in a world full of adversity. His past is rather hazy; we know he was born in a prison, we know he grew up perceiving that he existed as an outsider to society, and we knew he always felt himself to be an honest, honorable person, and swore to work his way to a respectable living and rise out of his base beginnings. Eventually he came to work under the wing of a mysterious M. Thierry**, who showed Javert how to convoy prisoners from the courts to the prisons, and he was recommended as an Adjutant-Guard to the very prison to which he was born. Politics were irrelevant; what mattered was his own integrity and his own hard work.

He did, however, carry with him a reverence and respect for authority. To that extent, he was a mostly monarchical man, though the nature of his work decreed that he follow whichever regime blew into power. And he did, for a time. A long time.

The brunt of Napoleon's reign took place during his twenties, when Javert presumably worked as a prison guard. During the Napoleonic wars, however, the Emperor instituted a mandatory draft, and some policemen and prison guards were known to enter the service for a time. Javert himself is likely to have served in the Napoleonic Wars, possibly as a grenadier due to his height and build. Regardless, by 1815, Napoleon's wars wreaked their havoc, monarchies rose and fell, battles were lost, Waterloo utterly crushed whatever power he had left, and the Bourbon monarchy once again took the seat of power in France. By this time, Javert was stationed again as a prison guard in Toulon - just in time to see to Jean Valjean's parole.

A constitutional Bourbon monarchy took Napoleon's place. Louis XVIII ruled until 1824, and Charles X ruled after him. The July Revolution of 1830 deposed Charles X and replaced him with yet another ruler, Louis-Philippe. Turbulence cannot seem to make up its mind over what it needs; political unrest persisted, and eventually it gave rise to the June Rebellion of 1832. Javert killed himself just barely after the end of this June student rebellion.

Despite the tumultuous political environment, Javert's continued service under the changing regimes indicates that he bore no especially strong political affiliation and, like any social outcast, led his life apart from politics. Instead, he was a man who served society by enforcing and protecting its laws. Despite his private monarchical leanings, whichever regime would take power, he would follow suit and do his job with as much exactitude as he could humanly manage. The June Rebellion of 1832 is only relevant to him to the extent that he was ordered as a mouchard, a police spy (though he never calls himself that, instead claiming that he as an 'agent of the authorities'), to infiltrate the treasonous student group when their cries for Republic came to a head. His assignment led directly to his encounter on the barricades with Jean Valjean and, ultimately, his suicide.

((**Note: This information was included in Victor Hugo's early draft of Les Misérables, however, it was cut from his final draft. That said, the background does not conflict at all with what we know about Javert, and here I am including it as his canon.))

Personality: Javert is a walking paradox, his complete character far more complex than the sum of his parts. There exists in him several facets: the man on the surface, described by Victor Hugo in prose; the man shown to us, described by his actions and speech; and finally, the man he becomes the night he takes his own life.

Prior to his suicide, Javert was utterly devoted to the Law. His only joy was to uphold and enforce law and order. He hated crime with a passion – each criminal was just as bad as any other criminal in his eyes, and the severity of the crime committed or its extenuating circumstances mattered little. Javert was the type of man that would turn in his own child if he slit a throat or jail his own wife for theft without a moment's hesitation. He had extreme respect for authority and a blind faith in his superiors. He was hardworking and brutally honest to the point of abruptness. He was just as harsh to himself as he was on everyone else; his admirable integrity and perseverance pulled him out of the streets, and he knew that one slip in his behavior, one blight in his record would throw him off his pedestal. That made him a fair man, at least, if not a kind one.

Javert's life was his work. He was not known to have any friends, and he had no family. He peered in on society from the outside with the full cognizance that he would never become a part of it. Yet rather than choose to destroy it out of some misguided revenge, he was strong enough to protect it as a police officer. He did not indulge in any vices and outright denied himself human intimacy. He read in his rare free time, but strictly to educate himself. Every now and then, when he felt particularly proud of himself, he would take a pinch of snuff, thereby proving his humanity.

This was the man described to us. The man shown to us hinted at something more
 feisty.

For enjoying the oft-begrudged work of a lowly police inspector did not mean he was simply another mindless robot to the government. In fact, unlike many of his bureaucratic desk jockey colleagues, he had a rather dark, wry, and outright sassy sense of humor that extended its claws in the most dire of situations. He was flamboyant in how he executes his arrests, exhibiting a certain artistry that he strove to perfect. Most of his work was done with a spectacular flair for the dramatic. He was not the average, procedural police officer that prattled off the routine rights during an arrest, but rather he behaved as if he was orchestrating his own personal circus of criminal captures. He positively delighted in his work, and his unique passion showed in his dedication and verve. But keep in mind that despite his eccentricities, Javert was a relentless perfectionist, always thorough, always fastidious, never delivering a criminal until he was absolutely certain he could pull off a grand dénouement and a solid case.

In terms of interpersonal relationships, Javert is a difficult shell to crack. It takes a hell of a lot to get close enough, but once he swears fealty, he will abide by his promise for life with strict honor.

On the night of his suicide, Valjean spared Javert's life, and something inside of him changed irrevocably.

All his life, Javert was unyielding. He did not doubt. He was proud, he held his head high, completely assured and ashamed of nothing. But his black and white, very simple world fell out from beneath him in one fell swoop, and he no longer understood the universe in which he lived. His entire understanding of law, order, and the universe flipped inside out. A part of him realized that Valjean, a criminal, a man whom he always believed deserved nothing better than the perpetual hard labor, was a man worthy of veneration and respect for his mercy and the genuine good he has given the world. It was a criminal who was also a saint; a thief who was also a good man. This didn't jive for Javert, who could not integrate this new information with his world view. He could not arrest Valjean and deliver him to the law, his conscience would not allow it. He could not return to work without arresting Valjean, that made him unworthy of his badge. So what order should he have bowed to? The supreme being, God's authority, whom he never before considered very deeply?

Javert's two paths were impossible, irreconcilable. He rejected his options and selected a third out: resignation from work, resignation from the world, resignation to God. He killed himself.

Thus will begin Javert's experiences in Tu Shanshu, with a single narrowed eye begrudgingly open to the gray 'middle ground' between good and bad, right and wrong. He will still exhibit mostly the same (unpleasant) personality traits of the man he was in life, but now, he simply does not understand his place in this strange limbo. His first big struggle will be to work through his cognitive dissonance over his shattered world view, discover what it is he is meant to do and channel it productively. Presumably seeking out simple, menial work to occupy his body and mind in the meanwhile will be his first priority. But until he is able to reconcile his new and frightening realizations with his life's calling in police work and investigations, he will remain uncertain and doubtful.

With all this in mind, the news that he is an In-Betweener, a man stuck in limbo indefinitely, will come as no big surprise. He will accept it, but with a disbelieving, dry, and resigned bark of laughter, bitter that even his final resignation was rejected by God in his Heaven above. It is a sign for him, but not much of one: what on earth do the cosmos want him to do if they won't judge him properly for his death? Moving forward, then, Javert begins his afterlife as a deeply emotional and highly disturbed individual encased in iron-clad self control. On the outside, he is cold, calm, disarmingly self-assured, and always ready with a sassy quip. Yet inside he is a veritable mess, constantly second-guessing himself, constantly displeased, constantly confused... and fatalistically learning to accept his outcomes as a form of punishment for his oversights in the past.

Appearance: Javert is of half-Roma descent, with a square jaw framed by dark graying hair, a tannish complexion, large nostrils set within a broad snub nose and a wide, thin mouth. He has a pair of rather impressive muttonchops. His gaze is sharp and unapologetic. He's incredibly lofty and imposing at six-feet-two-inches tall, with a broad neck, a solid set of shoulders and massive hands. Despite his towering height and sheer formidable presence, he is gaunt and lanky underneath his thick layers of clothes, evidence that he often tends to forget such necessities as a good night's sleep and three square meals a day when he sinks far enough into his work. This is made clear on the rare occasions that he removes his greatcoat, which gives him the illusion of bulk around his middle and legs. He possesses an extremely firm grip, and though he relies on his presence and his ability to command a room more oft than not, he has some strength to back up his imposing appearance. PB is Anthony Perkins from the 1978 adaptation of Les Misérables.

Abilities: Javert is human with no special powers. However, he does have uncanny Holmesian powers of observation, more than enough to freak out his criminal quarry, but it is nothing superhuman. He is merely very, very, very... thorough. He is also halfway decent at disguising himself when it's called for, though I would not put much stock in that if I were his allies.

Inventory:
    Somewhat worn and very wet trousers, shirtsleeves, waistcoat, and cravat
    Well-loved triple-caped greatcoat with a burned spot near the bottom, buttoned from shin to chin
    Boots, muddy, in need of a shine
    Change purse; contents: a handful of sous, a few centimes
    Parisian police identification card
    Silver snuffbox full of sad sludge, smells vaguely of dirt and sewage
    Sideburns big enough to grow vegetation
    Hat was lost to the bridge parapet prior to his majestic dive

Suite: A modest flat in the Earth district. The Earth district suits his personality best, despite his existential confusion. He is fair, honest, forthright in an almost rude fashion, and incredibly hardworking. He is not rich and, frankly, he never will exist at a level much above subsistence. The dedication and hardiness exhibited by his fellow Earth district denizens will not only appeal to him, but it may bring him some small comfort in the form of familiarity.

As far as his suite, he doesn't need or want more than one room. Anything larger than that would feel excessive (though he would deal).

In-Character Samples:
Third Person:

    Welcome to the In-Between


    Javert never made it to Hell. He never made it to Heaven, either. That was unsurprising.

    Instead he made it to the back of a rickety cart, draped like a sack of potatoes at one corner, his every breath a struggle. This? Indubitably shocking. Oxygen was like acid to reinvigorated lungs. He felt rather than saw the stares on him, the strong and heavy hands carrying and pulling him onto the platform. Opening his eyes to the sun blinded him, so his head and eyes lolled uselessly and shamefully shut. His whole body, marred with blacks and blues and horrific marks, throbbed sharply. At every bump in the road, his skull bumped the rail. He found he could hardly lift his leaden head up on his shoulders.

    Javert's body was broken. His reeling mind fared little better.

    They spoke things to him, bent over him while he expelled a putrid mess of mud and sewage from his thickened throat. He could barely comprehend them, the flashes filtering through here and there, something about tushans and severed souls and slipping through the cracks. His laugh burst from parched lips like a vicious cough. Oh, he slipped, all right. He plummeted straight to the bottom. He observed vaguely, through a fog, that he was raving and muttering aloud. All nonsense about resignations, a mad house, bloody vengeful angels and merciful men the size of oxen.

    But clarity would come--was coming, even. His movements were weak and in no condition to cooperate with his command, but the delirium was receding, replaced by physical shock.

    The realization occurred to him late.

    "I've washed up!" A universe of pain in his whispered, gasping cry. Javert did not recognize his own voice. His throat was ravaged. He still tasted raw Seine waters on the tongue. "Denied to me! Again! That suits!"

    Was this what survival felt like? Or was Death a pungent, eternal, gaping wound, this feeling that he slowly grows accustomed to?

    It was his only lucid speech. He fell silent for hours, and the Kedan, perceiving that his mind was calming, delivered to this half-dead stranger all the requisite information like drones to a granite statue. He said nothing. He understood sluggishly. He wanted to leave his eyes shut, fall back into a slumber, and will himself to not awaken with a bitter sneer.

    But alas, he could not, if these creatures-who-pulled-him-up spoke true. Not when his final act already reached its conclusion.

    Javert never quite counted on experiencing an aftermath. The thought didn't occur to him in his final moments.

    As the hours passed, Javert's strength built. He sat up after the first thirty minutes. He blearily peered at the faces of his captors, and even at his most wretched his stare was calculating. He memorized their alien look, their foreign six-fingered hands. His posture resumed a straightness resembling pride or determination, idle fingers brushed off the muck from the bottom of his coat with a self-consciousness bordering comedy and a fierce twist of his bruised lip. His chin still hung low atop his swollen and battered neck, but there was a resolute clenching of his jaw. He fought that pain and weariness. He accepted clean water when it was given to him.

    "Well, you are the ferry-drivers. Where am I to go?" Javert asked harshly and curtly when he perceived the black walls looming in the distance. Spoken like a man accustomed to his own station of authority, beaming stubbornly from a creature weighed down by fatigue and mire and unwilling to succumb again. A nearly undetectable tinge of worry and uncertainty colored his rounded consonants and clipped vowels. How must I continue? remained the unspoken addendum.

    His reward for his gumption were five pairs of unimpressed eyes.

    The Earth district. The rest is on you.


Network:

    [The man on the video screen has done his best to neaten himself up to mixed effect. His gaze is determined and provokes attention, and his stature is resolute. But from beneath his carefully buttoned coat and tamed hair creeps horrific blue-yellow bruises. His clothes, thick as they are, manage to do only so much to hide the swelling, and then there was the small matter of his pallid complexion, his battered chin and the sagging bags under his eyes.

    Not even a good night's sleep is enough to fix these things. Yet he scrutinizes the screen intently and speaks in a clipped, abrupt voice, carefully void of any strong emotion and calm as a lake on a still day.]


    I want information. The fellows from the welcome convoy were less than helpful. Evidently.

    [He grimaces, a twitching spasm in his jaw. He means to inspire confidence, but the slight sway in his head hints ill.]

    First, I am the latest model, a fresh one. It is expected I find work. I understand this. You must know I have no references, so I will start with odd jobs. I can prove myself. Simple things, whatever you have for me. [His brow lowers almost imperceptibly, yet he continues without missing a beat,] Hard labor is not out of the question. I am fit.

    Second, I seek a clothier. Secondhand will do. For a decent ensemble change.

    Third, a mapmaker.

    [An awkward pause, in which he pierces the recorder with a guarded, hawkish stare. His bruised lip curls. He feels foolish, advertising to no one at all. There are no faces for him to study. What else is there to say? He hastily wraps it up,]

    I am called Javert. Send me tips, people, places, instructions. I will come to you.
inseine: (Default)
PLAYER INFO
Name: Lari
Preferred pronoun: she
Preferred means of contact: plurk @ [plurk.com profile] kriskristofferson; aim @ LariBadger
Any other characters currently in-game? N/A

CHARACTER INFO
Name: Javert
Gender: Male
Age: 52
Source: Les Misérables (Novel)
Canon Point: At the point of his suicide by drowning in the Seine River. He is snatched into the hedge before he hits the water.

CANON
History: Wiki Link Here
Personality: Javert is a walking paradox, his complete character far more complex than the sum of his parts. There exists in him several facets: the man on the surface, described by Victor Hugo in prose; the man shown to us, described by his actions and speech; and finally, the man he becomes the night he chooses to take his own life.

Prior to his suicide, Javert was utterly devoted to the Law. His only joy was to uphold and enforce law and order. He hated crime with a passion – each criminal was just as bad as any other criminal in his eyes, and the severity of the crime committed or its extenuating circumstances mattered little. Javert was the type of man that would turn in his own child if he slit a throat or jail his own wife for theft without a moment's hesitation. He had extreme respect for authority and a blind faith in his superiors. He was hardworking and brutally honest to the point of abruptness. He was just as harsh to himself as he was on everyone else; his admirable integrity and perseverance pulled him out of the streets, and he knew that one slip in his behavior, one blight in his record would throw him off his pedestal. That made him a fair man, at least, if not a kind one.

Javert's life was his work. He was not known to have any friends, and he had no family. He peered in on society from the outside with the full cognizance that he would never become a part of it. Yet rather than choose to destroy it out of some misguided revenge, he was strong enough to protect it as a police officer. He did not indulge in any vices and outright denied himself human intimacy. He read in his rare free time, but strictly to educate himself. Every now and then, when he felt particularly proud of himself, he would take a pinch of snuff, thereby proving his humanity.

This was the man described to us. The man shown to us hinted at something more
 feisty.

For enjoying the oft-begrudged work of a lowly police inspector did not mean he was simply another mindless robot to the government. In fact, unlike many of his bureaucratic desk jockey colleagues, he had a rather dark, wry, and outright sassy sense of humor that extended its claws in the most dire of situations. He was flamboyant in how he executes his arrests, exhibiting a certain artistry that he strove to perfect. Most of his work was done with a spectacular flair for the dramatic. He was not the average, procedural police officer that prattled off the routine rights during an arrest, but rather he behaved as if he was orchestrating his own personal circus of criminal captures. He positively delighted in his work, and his unique passion showed in his dedication and verve. But keep in mind that despite his eccentricities, Javert was a relentless perfectionist, always thorough, always fastidious, never delivering a criminal until he was absolutely certain he could pull off a grand dénouement and a solid case.

In terms of interpersonal relationships, Javert is a difficult shell to crack. It takes a hell of a lot to get close enough, but once he swears fealty, he will abide by his promise for life with strict honor.

On the night of his suicide, Valjean spared Javert's life, and something inside of him changed irrevocably.

All his life, Javert was unyielding. He did not doubt. He was proud, he held his head high, completely assured and ashamed of nothing. But his black and white, very simple world fell out from beneath him in one fell swoop, and he no longer understood the universe in which he lived. His entire understanding of law, order, and the universe flipped inside out. A part of him realized that Valjean, a criminal, a man whom he always believed deserved nothing better than the perpetual hard labor, was a man worthy of veneration and respect for his mercy and the genuine good he has given the world. It was a criminal who was also a saint; a thief who was also a good man. This didn't jive for Javert, who could not integrate this new information with his world view. He could not arrest Valjean and deliver him to the law, his conscience would not allow it. He could not return to work without arresting Valjean, that made him unworthy of his badge. So what order should he have bowed to? The supreme being, God's authority, whom he never before considered very deeply?

Javert's two paths were impossible, irreconcilable. He rejected his options and selected a third out: resignation from work, resignation from the world, resignation to God. He chose to kill himself.

--Except he did not quite succeed. He was stolen away by the Fae before he could carry it out, and he was forever changed.

As a changeling tiger-beast, Javert will still exhibit mostly the same (unpleasant) personality traits of the man he was in life, but now his previous life is a new mystery to solve, and one that he is not sure he wants to. He has developed his own sense of good and bad, right and wrong within Arcadia, but he will come to sense that something is off about his strict adherence to his duties. Perhaps his confusion and resistance to change will grow with each memory he regains, but this will only motivate him to bury himself in busy (predatory?) work to occupy his mind and body and give himself little time to ponder the meaning of his slow awakening.

Moving forward, then, Javert will likely become deeply emotional and highly disturbed individual encased in iron-clad self control. On the outside, he will be cold, calm, disarmingly self-assured, and always ready with a sassy quip. Yet inside he is a veritable mess, constantly second-guessing himself, constantly wondering, constantly confused... and constantly attempting to quell that damnable feline curiosity about his humanity that he cannot suppress.

INTO THE HEDGE
Seeming: Beast
Role: Pet and Guard-Beast. A loyal servant, but with the roguish propensity for independent, predatory theatrics when the mood strikes him.
Abilities: Sharp and heavy claws, powerful jaws, pointy teeth, predatory cunning.
Description: Javert is a six-plus-foot-long, 450-pound Bengal tiger in his beast form. He saunters on four legs, possesses a roar that can be heard as far as two miles away, and flexes paws that could rival a frying pan. He is also exceptionally independent and territorial, a good fit for use as a security pet.

Javert's changeling form is something else. As a man, he wore two huge, impressive sideburns that coated both of his cheeks. Now the mutton chops are thicker and wildly striped in sharp whites, grays, and blacks, blending into a wild mess of wild hair and resembling the ruff of a massive tiger. He is a very hairy fellow, and he cannot quite rid himself of his two enlarged canines. He can retract and extend his claws freely, and his intense and probing eyes have permanently transformed into a bright green-gold.
Reasoning: In his introductory chapter, Victor Hugo describes Javert as a wolf, a guard dog, and a tiger rolled into one noble savage. For the purposes of this game, 'tiger' suits him best: he comes from an 'exotic' ethnicity (the Romani or gypsy people, who were thought to originate in India like the Bengal tiger); he is a loner that exists 'outside' of society looking in, belonging to no pack; and most relevantly, though he is a tame enough beast to follow the rules like the most loyal of dogs, he has just enough of an independent streak to enjoy playing with his prey before drawing the curtain. As a police officer he thrived on the cat-and-mouse chase and the great dénouement, where he would orchestrate a thrilling arrest and present it abruptly to his superiors like a cat would present a dead rat to his master. He is enough of a loose cannon to make surprising and perplexing decisions and blindside both his companions and his quarry. He is nosy enough to fit the old adage, curiosity killed the cat, and does not quit once he grasps some fantastical or instinctive idea in his brain. And lurking beneath his skin is a hint of unpolished wildness that he may someday lose his grip on his strict morals and unbending principles and regress back to the savage beast within. Javert is a tiger.

MEMORIES
First Memory: His decision to jump into the river and end his life
Another Five: Valjean setting Javert at liberty from the June Insurrection
The concept of severe duty to the law and government
Javert arresting 'Mayor Madeleine' Valjean at Montreuil-sur-Mer, frightening Fantine to death in the process
The rage and humiliation he felt when Valjean (as Mayor Madeleine) overruled his police authority and denied Fantine's arrest
The moment in his youth that Javert chose to join the police rather than turn against society as a criminal

SAMPLES
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Inspector Javert

March 2025

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